
The suggestions drawn from his homeland will always accompany him, like fairy tales with open eyes that condense and is immortalized in Amarcord, where the character of La Gradisca becomes a legend. Their nostalgia becomes more explicit, especially at sea in winter, the white crests, the great wind, as I saw it the first time “. Rimini returns several times in his films, so much so that he said: “Rimini is a confused, fearful, tender mess, with this great breath, this void open to the sea. as if it were a bathtub in La dolce vita, where stories that penetrate the present atmospheres merge with the memories of the director’s hometown. The latter plunges into the Trevi Fountain. The actor from Fontana Liri and the director from Rimini, together, will give life to many iconic scenes that have defined Fellini’s cinema as that: “Marcello, come here” as luxurious as the famous actress Anita Ekberg. After leaving Rimini, the filmmaker transformed the famous “Teatro 5 of Cinecittà” into an ideal setting for almost all of his films, dedicating himself to a visual narrative that oscillates between lost youth and the autobiography of adult life, often with an alter-ego of exception: Marcello Mastroianni to whom the director will give the nickname of Snaporaz. Charlie Chaplin also made a comic of the opera. This interpretation earned Juliet the nickname of Chaplin in the feminine, and it seems that the silent master himself said: “She is the actress I admire most”. The sweet clown who accompanies the gipsy Zampanò played by Antony Quinn. Of all the characters played by Juliet in her long career, the most exciting remains that of Gelsomina in La Strada, for which her husband refused any other candidacy. He left this life exactly one day after their 50th wedding anniversary she followed him a few months later.

Their characters could not have been more different, but they complemented each other, and their differences kept them united until their death a few months later. Both are buried in Rimini next to their unborn child. Years later, Giulietta said: “Not having had children made us become the son and daughter of the other, so destiny willed”. He was one of the authors, and they never left each other again, between alleged betrayals of him, film sets and a son who unfortunately died later, only 12 days after birth. They met in the EIAR studios in 1942 during the recording of an episode of Cico and Pallina.

#Federico fellini interview full#
Nobody will ever forget the speech of thanks in front of the Academy and the tears full of the love of his wife, who shared essential pages of world cinema with him. After four Oscars for masterpieces that entered “forever”, on 29 March 1993, he received the fifth career that he retired in Los Angeles and dedicated entirely to his lifelong companion and muse: Giulia Masina, renamed Giulietta by himself. Just think about “La Dolce Vita, Otto e Mezzo, Amarcord, La Strada, Le Notti di Cabiria” to evoke suggestions made of enchantments, which are intertwined with his life. Born in Rimini on 20 January 1920, Federico Fellini is the author of films that became world cinema classics.
